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The Americans

The Americans
MSRP: $39.95
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Manufacturer: Steidl/National Gallery of Art, Washington
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The Americans Features

ISBN13: 9783865215840
Condition: New
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Additional The Americans Information

In 1958, the first edition of Robert Frank's The Americans was published in Paris. Les Américains contained Frank's 83 photographs in the same sequence as all subsequent editions, with the image on the right hand page, but juxtaposed with historical texts about American society and politics, gathered by Alain Bosquet. The following year, in the first American edition, the French texts were removed and an introduction by Jack Kerouac was added. Over the subsequent 50 years, The Americans has been republished in many editions, in numerous languages, with a variety of cover designs, and even in a range of sizes. It is the most famous photography book ever published, and it changed the face of the medium forever.
Robert Frank discussed with his publisher, Gerhard Steidl, the idea of producing a new edition using modern scanning and the finest tritone printing. The starting point was to bring original prints from New York to Göttingen, Germany, where Steidl is based.
In July 2007, Frank visited Göttingen. A new format for the book was worked out and new typography selected. A new cover was designed and Frank chose the book cloth, foil for embossing, and the endpaper. Most significantly, as he has done for every edition of The Americans, Frank changed the cropping of many of the photographs, usually including more information. Two images were changed completely from the original 1958 and 1959 editions.

 

What Customers Say About The Americans:

Stunning edition. Great photography work and very interesting introduction by Kerouac.A must have for a photographer.

Many of the photos look like rejects from the envelope of prints eagerly picked up from the 1950's or 1960's photo lab where you have spinster Aunt Millie asking why did you waste film on this--they're not even looking at the camera, or it's a bunch of people at a funeral, or it's a road at night. The book: The Americans is a terrific arty, documentary commentary on mid-20th-century America.I would have said the book is worth having for the Kerouac introduction alone--because it is so good.so.so Kerouac--until I reverently turned the pages, which is what one should do when viewing a collection of photos, drawings, or art and was delighted to remain in the desperate, yearnful, plain-is-the-new-god mood that Kerouac had expertly created in his introduction.

Peanutbutter and jelly. Somethings just go together.

And Jack Kerouac's introduction to 83 stark b/w photos ("lugubrious" Jack might say) shot by Robert Frank in 1955 / 1956 as he traveled the lower 48, funded by a Guggenheim Foundation grant. Knotty pine paneling in a fishing-lake bar.

Bouffants on R&B singers. Frank's photos capture the everyday in all of its beauty.

Get this book.

What can I say that hasn't already been said about "The Americans". The coffin / jukebox quote and the page with the nanny are just the beginning. I recently reviewed Sawdust Mountain by Eirik Johnson Eirik Johnson: Sawdust Mountain and as I reviewed that I realized that many of today's best photographers owe a debt to Robert Frank. Buy this book and you'll see Franks' artistic descendants all over the place.

I saw his anniversary exhibit in New York and felt the book really captured his photographs. Robert Frank's book "The Americans" presents a stunningly visual portrayal of the 1950's culture and the times we lived in. Frank's photographs brought back strong memories of people and places I remember. These are strong pictures, ones you'll remember. I recommend this book to all--not just photography lovers, but to anyone who wants to see a slice of American life gone by.

This collection of photos didn't attract much attention when first published. There is a newspaper stand in one of the photos. The collection captures the time nicely.

Don't think so. Several others have explanations different from my assessment. Some believed race issues were a problem.

One of the photos is misidentified as to place. I graduated from college during this period. The photos then would have been ordinary scenes in black and white during a period when most photos were color.

It isn't about the narrative and black and white makes the subjects stand out. Who is on the cover of Look.

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